Wednesday 2/25- Well, the day started with a few minor hiccups. I had no bath towels save for a facecloth and the bath mat. The phone button for reception didn't work and I really did not want to get dressed to go downstairs and tell them I needed towels. So, I made do with the bath mat. The other issue was that the internet which I had paid 2 euros for the night before still didn't work, and I needed to send my funding request to the department immediately. After a solid breakfast, I told them about the towels and internet problems and she told me there were issues with my wing of the hotel. I brought my laptop to the lobby and got it to work luckily.
I checked out, left my bags, and set out to the leaning tower, et al. On the way, there were some interesting ruins of some Roman baths. From there I walked toward the rear façade of the cathedral I could see in the distance. Seeing the leaning tower is sort of a surreal experience. It is so iconic that when you actually see it in person, you almost shrug and think nothing of it. Then you put all the pieces together and really appreciate the beauty of the structure, the harmony of its parts. And, of course, its famous tilt. After gawking for a bit, I went to get tickets for it all. €8 euros for both museums, the baptistery and the Camposanto. To climb the tower was €15!! But I had to do it, and they know that. But I have to say, the grounds and every building were in great shape, and they are currently restoring the frescoes of the Camposanto and cleaning the tower. That's more than I can say about the Vatican.
I ambled around the Cathedral first, since that closed in about 30 minutes. The absolute height of Italian Romanesque, and almost a Renaissance unto itself. There is not one standout part, just well executed all around. The best part is that when they stopped allowing new people into the church, they didn't yell at those of us still inside to leave. Instead, we were allowed to finish at our leisure, and thus I got some empty church shots, so hard to get in Pisa.
I had time to see the inside of the baptistery, so I did so subsequent to examining the doors and reliefs on the front of the church. The baptistery is similar architecturally to the church with arched colonnades in two stories. The second floor gallery was accessible, too. Just before leaving, I was incredibly lucky. A woman who worked there went under the rope surrounding the center area and shouted "silencio per favore", which was weird because there were only a few other people inside besides myself and it was pretty quiet. Then she started singing descending notes in clusters of three. After each set she paused to let us hear the reverberations and the resultant combinatorial chords formed by the echoes. She did this probably four times in about thirty seconds, but I will never forget it. Awesome experience.
My time to climb the tower was almost at hand. After some more pictures of the monuments, I sauntered over to check my camera bag (they are really strict about security in the tower). Then I climbed in a big group up the winding staircase until we all emerged on the very top, and I mean the very top. The only thing higher was the flag pole. Amazing view of the cathedral and baptistery, as well as the city, the walls, and the snow-capped Appenines. It was super clear today with an azure, cloudless sky, and about 50-55 degrees. Perfect. All worth the €15.
Next was the Camposanto, which I knew about through Art History classes. In pre WWII days, most visitors (mainly educated men) who came to Pisa came for the frescoes and tombs in the Camposanto. During the war, a fire bomb destroyed much of the site. They are attempting to restore the paintings in a monumental project. The building was nearly empty. All of the Japanese tourists flock to the tower, then the cathedral, a handful to the baptistery and none in the Camposanto or the museums. That was fine with me. Unbeknownst to me, all around the cloister were Roman sarcophagi, reused by prominent medieval Pisans. There were even three child sarcophagi for me to examine and photograph.
Lastly, there were two museums- the first being the Sinopie Museum, which contains extremely large preparatory sketches for the Camposanto frescoes. Totally empty. The other museum, the Museo dell' Opera del Duomo, holds the treasury as well as medieval sculptures and other works that 19th century Pisans eschewed. In the last galleries I got to, there was ancient art- a few Egyptian fragments, some Etruscan cinerary urns, and Roman portraits, urns, and sarcophagi- I had no idea. Now Pisa was in no way unrelated to my studies. I was happy, but just as I got to the last work, a child's urn, the guard said it was time to leave. Always finishing at the bell for me. All finished with the buildings, there was only one thing to do: ask a Japanese girl to take a picture of me holding up the tower. Now my life is complete.
After getting my bag I headed back to the hotel, stopping here and there to snap a pic and to get a couple of slices of pizza and a fanta for a very late lunch/early dinner. I wheeled my bag the distance to the station, and got on a train for Florence. I've got to say that so far (knock on wood) my Italian train experience has been without problems.
Arriving in Florence after dark, I wheeled my bag to my hotel just as I have so many times before. My room is non-descript but serves the purpose, plus the location is great. I also did my lay of the land walk, this time around the Duomo and up the the Piazza S.S. Annunciata to scope out the Museo Archeologico. The cathedral is an unbelievable gem and it is good to see it once more. With so many Americans (they are EVERYWHERE) I feel almost at home, but at the same time oddly embarrassed and make it a point to speak my pigeon Italian as best as possible. It must be all the semester abroad programs- they all end up in Florence for some reason. Dinner was more pizza and a gelato. So endeth the twenty-third day.
Lots of pics- it was a great experience:
Even the card is four stars
Hotel room in Pisa
Bathroom in Pisa
Narrow street in Pisa
Dome in the Roman Baths
Still the king of self-timer shots
Campanile
Cathedral- ceiling
Cathedral- interior decoration
Cathedral- lectern by Giovanni Pisano
Cathedral- St. Ranieri
Cathedral- interior decoration detail
Cathedral- Apse mosaic
Cathedral- Dome
Cathedral- sacred icon
Cathedral- angel
Cathedral- strange stairs
Cathedral- obligatory artsy shot
Cathedral- Interior without anyone
Cathedral- St. John the Baptist
Cathedral- Façade
Cathedral- Detail of portal
Baptistery- Dome
Baptistery- St. John the Baptist
Baptistery- climbing to gallery
Baptistery- Looking down from gallery
Baptistery- Interior
Façade of Cathedral
Baptistery, Cathedral and Tower
Baptistery
Baptistery with sun
Climbing the bell tower
Why it's called a bell tower
View from tower- looking north
View from tower- Cathedral complex
View from tower- not great pic of me
View from tower-Pisa
View from tower-Camposanto
View from tower- griffin on church
View from tower- Distant Appenines
View from tower- people lounging outside Baptistery
View from tower- Capitoline wolf
Detail of church
Spolia on the rear of the church
Flag of Pisa atop tower
Cathedral gargoyle detail
Cathedral façade detail
Baptistery detail
Baptistery detail
City walls
Camposanto- exterior wall
Camposanto- front porch thing
Camposanto- detail of front porch thing
Camposanto- detail
Camposanto- Fibonacci's grave
Camposanto
Camposanto- fresco of builders
Camposanto- fresco of carpenters
Camposanto- the universe
Camposanto- I photographed each of those sarcophagi x~2.5 for other sides
Camposanto
Camposanto- more surviving frescoes
Camposanto- clearly a pirate's grave
Camposanto- strange Mithraic relief
Camposanto- child's sarcophagus with cupids
Camposanto- child's sarcophagus with cupids racing
Camposanto- child's sarcophagus with playing cupids
Camposanto
Camposanto- Funerary stele in an attic style
Camposanto
Museo Sinopie- preparatory sketch
The tower that leans
Yes, my life is complete now
Museo dell' Opera del Duomo- Madonna and child, John the Baptist with patron, and St. John the Evangelist by Giovanni Pisano, 1306
Museo dell' Opera del Duomo- Reliquary from Limoges
Museo dell' Opera del Duomo- Madonna and child by Giovanni Pisano, 1299
Museo dell' Opera del Duomo- statue of a girl, mislabeled as a woman
Museo dell' Opera del Duomo- Etruscan cinerary urns
Museo dell' Opera del Duomo- Julius Caesar
Museo dell' Opera del Duomo- Ahhh- just one more picture, please- a child's sarchophagus
Sunset in Pisa
Interior of San Sisto
Chiesa di Santo Stefano dei Cavalieri
Monday, March 2, 2009
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